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So that part of the journey remains subjective. “For some artists, not getting a day off for months or working on two hours of sleep can feel challenging enough, while for others not so much. To be able to work with a director like Bhansali as newcomers in the industry is a tremendously lucky break, but Ankit pointed out that one can struggle even while succeeding. “While I agree that sometimes too many voices and on a project can hamper the final output, Sanjay sir always gave us freedom to experiment and choose the approach for work on each of our collaborations, be it Bajirao Mastani, Padmaavat or Gangubai Kathiawadi,” said Sanchit.

Sanchit had collaborated with director Sanjay Leela Bhansali on Bajirao Mastani (2015) and Padmaavat (2018). Sanchit remembers War as a challenging film because it was the Balharas’ first contemporary action film after a series of historical dramas.

Pathaan is the second time the brothers have worked with director Siddharth Anand, having previously worked with him on War (2019).

The brothers have composed the background score for epic films like Gangubai Kathiawadi(2022) and their work on Pathaan (2023) has been applauded as one of the film’s highlights. “While growing up, we would watch those typical Nineties’ style marriage function videos - where the videographer would simply copy-paste a single song against all the moments at the event, be it happy or sad - that’s when I first realised how music can make or destroy the beauty of a visual,” said Ankit Balhara, one half of the composer duo Sanchit and Ankit Balhara.

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